Strudwick's carefully, sensitively and delicately rendered pencil portrait proves the awareness of the artist's hand beyond the medium of oil painting, and the importance of a study in his methods of working. Shading is richly worked, to capture a variety of tonal changes across the sitter's face, focusing on her downturned gaze, the gentle folds of cloth around her head and the subtle shadows of her hairline against her features. Not only does it tell a viewer more about the hand of Strudwick, but also about the artistic processes at the time; the creation of a preparatory sketch to create a future work, but which is nevertheless worth exploring on its own as a capable pencil drawing by a later Pre-Raphaelite practitioner. Strudwick is best known for his works which capture the spirit of Waterhouse, Burne-Jones, or John Roddam Spencer Stanhope - In the Golden Days by Strudwick, from 1907, invokes the stacked female figures which Burne-Jones included in his paintings, whi...