Pietro Lorenzetti created his emotionally charged Deposition from the Cross for the south transept of the Lower Church at Assisi. It is a space which likely brought together all the great early Renaissance artists - Cimabue, Pietro and Ambrogio Lorenzetti, Giotto and Simone Martini. However, this depiction of Christ's contorted, heavy, elongated, emaciated form being lowered from the cross above, is surely one of the most memorable frescoes in the space. Not only have the pressed together faces of mother and son subsequently become symbolic of Lorenzetti's oeuvre itself, but the fresco brings together a sense of naturalism as perpetuated by Giotto, and an intense emotionality that would have surely inspired the devotional onlookers of the fourteenth century. Sitting within the wider narrative of Christ's life, Lorenzetti's Deposition is arranged towards the left hand side of the south transept, yet the faces of Christ and his mother still remain at the painting'...